Sanae, Kanako and Suwako can anchor shrine-life stories as well as questions about faith and memories of the outside world. This selection uses the catalog’s Moriya-family tag or an explicit Moriya title. The theme is a discovery aid; individual role grades and original sources remain important.
Sanae attends school in the outside world while facing her ability to sense the supernatural and her destiny as a wind priestess. As faith in Kanako and Suwako wanes, she must choose between an ordinary life and the future of Moriya Shrine.
Dark OOC: Sanae brutally attacks Kanako to take her place as a god, the ever-gentle image twisted into someone dangerous.
Sanae tells Akyuu about the outside world: the Kochiya family served gods for generations, faith declined in the age of science, her parents compromised with reality — yet she still believed, clashing with those who doubted.
Sanae recalls her past and regrets to Komachi, tracing the years before Moriya Shrine moved to Gensokyo and what she could never let go.
Before the migration, Sanae befriends Natsume Takashi, a boy who can see youkai; together they meet gods, youkai and everyday worries.
Sanae lives at Moriya Shrine with original brother characters, facing friction and warmth over family temperaments, faith and shrine duties.
Patchouli comes to Moriya Shrine asking Sanae for help with her romantic troubles; their time together grows into a yuri romantic comedy.
Retells Mountain of Faith from the shrine's side: Sanae, raised by her grandmother, gradually becomes a living god as outside faith declines, until the migration to Gensokyo.
After the migration Sanae feels lonely and out of place; Suwako comforts her, and Kanako realizes she cannot think only of gathering faith.
Sanae secretly weeps, missing her old school and life; Suwako and Kanako discuss whether bringing her into Gensokyo was right.
On Mother's Day Sanae cannot deliver carnations to her mother; Kanako tries to console her, and Yukari quietly helps that longing cross the barrier.
Before the migration, at a festival Sanae and Suwako overlook the lights of Suwa, talking of forgotten gods and the possibility of living as ordinary people.
Sanae runs errands around the shrine and runs into a string of comedic troubles among Gensokyo's residents.
Hunting for event ideas to counter the Hakurei shrine, Sanae searches the storehouse and touches a lost memory of junior high — and a music box.
Kanako and Suwako are away; Sanae spends New Year's Eve at the Hakurei Shrine with Reimu and Marisa, then makes special preparations for the first shrine visits of the year.
Sanae doubts miracles and her own power; Suwako stays by her side as she faces the anxiety and rethinks her worth as a wind priestess.
The Moriya and Yakumo households get swept into a swimming contest; Sanae has a headache over the gods' deadly seriousness.
Sanae talks with Suwako about her feelings for a girl and the complicated emotions that follow; adult-toned dialogue.
Kogasa visits Moriya Shrine and grows close to Sanae; their friendship also opens the question of a tsukumogami's existence and identity.
Before the migration, Sanae befriends a Christian boy; their religious backgrounds and Suwako's meddling keep sparking rom-com chaos.
An original boy grows up with his childhood friend Sanae, witnessing her become a living god as Moriya Shrine vanishes from the outside world.
An original boy and Sanae are drawn together into Gensokyo's strife, brushing against the Moriya Shrine and canon incidents as he re-understands his own place.
Before the migration, an original character is drawn into hauntings at school and Lake Suwa, with Sanae the wind priestess involved throughout.
Sanae and Fujimaru Ritsuka shared a childhood in the outside world; their bond is shaken by the turn of fate, with Suwako the god stepping in.
A boy taken in by Sanae gradually discovers her extreme possessiveness beneath the gentle surface, and tries to escape Moriya Shrine.
First-person Sanae recalls a familiar scent tied to Kanako; Suwako's question about an errand to Kourindou reopens a childhood memory of being comforted.
Sanae weathers an exhausting, unusual day; at night Kanako and Suwako talk about her state — growth and farewell seen through the gods' eyes.
At New Year, Kogasa — having failed to scare anyone — visits Moriya Shrine, where Sanae is delighted by the ropeway bringing more worshippers; their chat unfolds the daily.
The offering box is suddenly empty; with Suwako insisting she saw the money just yesterday, the Moriya household plus Reimu and Marisa investigate the theft.
At a banquet, Shiki Eiki asks whether Sanae lived a "clean" life in the outside world, triggering a dialogue of concealment and lies, with Komachi and Kanako stepping in.
Minoriko Aki suddenly storms into Moriya Shrine, complaining that autumn and the harvest receive far too little faith; Sanae must play host to this determined guest.
Suwako points out an embarrassing problem of Kanako's; with the two gods at a loss, Sanae proposes a surprising solution.
The hero Majima Kazuto, searching for his childhood friend Sanae, finds Moriya Shrine vanished and a mysterious belt left behind, while Gensokyo suffers a "chaos incident" that copies strong abilities.
An original character comes to Moriya Shrine seeking clues to their memory; Sanae's body begins to pixelate, and the group struggles to handle the crisis.
A boy in the outside world tries to deliver class notes to the absent Sanae, and slowly finds her — and Moriya Shrine — slipping out of his world.
Anxious that her strength lags behind Reimu and Rin, Sanae consults Kanako and Suwako, airing the shrine's frustrations.
From the Moriya Shrine's viewpoint: faith, a changing outside society, and a place to return to; the front half opens with the gods versus the industrial age.
Themed on Sanae, Kanako, Suwako and outside-world faith; the conflict and ending cannot be reliably summarized yet.
Centered on Sanae and the gods in the Suwa region, leaning toward the outside-world era of the shrine; details lack reliable source support.
Tags point to Sanae, Kanako, Suwako and Japanese myth; the story may involve unusual values between gods and humans, but the plot is unverified.
The title points to Sanae facing a comic choice between "angel and demon"; Kanako and Suwako are tagged; details pending.
The Moriya family discusses what a god actually is, in a warm comedic short — this summary is inferred from the title and the "warm/comedy" tags.
Centered on the chat of a drinking party with Sanae and Onozuka Komachi; Kanako, Suwako and Aya are also listed; details unverified.
Titled "Hospitality from the Gods"; character tags include Sanae and the two Moriya gods, but protagonism and events are unconfirmed.